The Pendragon Society’s 1000 Greatest Films (2020) 800-781

Introduction

800. Death in Venice (1971) Dir. Luchino Visconti, 130 mins.

Based on a novel by Thomas Mann, Death in Venice stars Dirk Bogarde as a German composer who is terrified that he has lost all vestiges of humanity. While visiting Venice, he falls in love with a beautiful young boy (Bjorn Andresen). Most notable for the remarkable imagery, lyrically stunning final scene and the music of Gustav Mahler.

799. Blade Runner 2049 (2017) Dir. Denis Villeneuve, 163 mins.

Set thirty years after the first film, K (Ryan Gosling), a blade runner, uncovers a secret that threatens to instigate a war between humans and replicants. While it lacks the strong dialogue and iconic supporting characters of the original, the film works thanks to an excellent lead performance from Gosling and stunning visual work from British cinematographer Roger Deakins who finally won an Oscar after thirteen previous nominations.

798. Requiem For a Dream (2000) Dir. Darren Aronofsky, 102 mins.

The film depicts different forms of addiction, leading to the characters’ imprisonment in a dream world of delusion and reckless desperation that is subsequently overtaken and devastated by reality.

797. Django Unchained (2012) Dir. Quentin Tarantino, 165 mins.

Set in the South two years before the Civil War, Django Unchained stars Jamie Foxx as Django, a slave whose brutal history with his former owners lands him face-to-face with German-born bounty hunter Dr. King Schultz (Christoph Waltz). Schultz is on the trail of the murderous Brittle brothers, and only Django can lead him to his bounty. Honing vital hunting skills, Django remains focused on one goal, finding and rescuing Broomhilda (Kerry Washington), the wife he lost to the slave trade long ago.

796. Toy Story 3 (2010) Dir. Lee Unkrich, 102 mins.

The plot focuses on the toys Woody, Buzz Lightyear, and their friends dealing with an uncertain future as their owner, Andy, prepares to leave for college.

795. Patton (1970) Dir. Franklin J. Schaffner, 172 mins.

Patton is an epic biographical war film about U.S. General George S. Patton during World War II. George C. Scott wins the plaudits for his turn as the General.

794. Life of Brian (1979) Dir. Terry Jones, 94 mins.

The film tells the story of Brian Cohen (Graham Chapman), a young Jewish man who is born on the same day as, and next door to, Jesus Christ, and is subsequently mistaken for the Messiah.

793. Laura (1944) Dir. Otto Preminger, 88 mins.

Laura Hunt (Gene Tierney), has been murdered and tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects. These are waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price) and Carpenter’s wealthy “patroness” Ann Treadwell (Judith Anderson). The deeper McPherson gets into the case, the more fascinated he becomes by the enigmatic Laura, literally falling in love with the girl’s painted portrait.

792. The Marriage of Maria Braun (1979) Dir. Rainer Werner Fassbinder, 120 mins.

The first of Fassbinder’s so-called ‘Federal Republic of Germany trilogy’, provides a despondent picture of West German misery considering the subjugation of emotions to mercenary material greed in the reconstruction years. The film shows the inevitable conflicts that arose from a collective denial of the past and ends with annihilation.

791. That Obscure Object of Desire (1977) Dir. Luis Bunuel, 102 mins.

Set in Spain and France against the backdrop of a terrorist insurgency, the film conveys the story told through a series of flashbacks by an ageing Frenchman, Mathieu, played by Fernando Rey, who recounts falling in love with a beautiful young Spanish woman, Conchita, played interchangeably by two actresses, Carole Bouquet and Angela Molina, that repeatedly frustrates his romantic and sexual desires.

790. Whiplash (2014) Dir. Damien Chazelle, 106 mins.

It depicts the relationship between an ambitious jazz student (Miles Teller) and an abusive instructor (J. K. Simmons).

789. Up (2009) Dir. Pete Docter, Bob Peterson, 96 mins.

An elderly widower named Carl Fredricksen flies to South America in a house suspended by balloons. Its outstanding, moving opening and the marvellous animation, make up for it’s more bland and frenetic parts.

788. Being There (1979) Dir. Hal Ashby, 130 mins.

Hailed as a genius for his simplistic approach to life, an ageing gardener with a childlike naivete rises, by accident, into the game of politics. The man is soon presented as a possible Presidential candidate although no one knows his true background.

787. Shame (2011) Dir. Steve McQueen, 99 mins.

An intelligent examination of sex addiction with an outstanding lead performance from Michael Fassbender.

786. Stagecoach (1939) Dir. John Ford, 96 mins.

Notable at the very least for John Wayne’s debut, the film follows a group of strangers riding on a stagecoach through dangerous Apache territory.

785. The New World (2005) Dir. Terrence Malick, 150 mins.

The film depicts the founding of the Jamestown, Virginia, settlement and tells the stories of historical figures Captain John Smith, Pocahontas and John Rolfe. More beautiful imagery from Malick.

784. 12 Years a Slave (2013) Dir. Steve McQueen, 133 mins.

An adaptation of the 1853 slave memoir Twelve Years a Slave, the film follows the book’s author Solomon Northup, a New York State-born free African-American man, who was kidnapped in Washington, D.C. by two conmen in 1841 and sold into slavery where he is put to work on plantations in the state of Louisiana for 12 years before being released.

783. Last Tango in Paris (1972) Dir. Bernardo Bertolucci, 127 mins.

Last Tango in Paris is a controversial Franco-Italian erotic drama directed by Bernardo Bertolucci which portrays a recently widowed American (Marlon Brando) who begins an anonymous sexual relationship with a young Parisian woman.

782. The Wrestler (2008) Dir. Darren Aronofsky, 111 mins.

Mickey Rourke plays an ageing professional wrestler who, despite his failing health and waning fame, continues to wrestle in an attempt to cling to the success of his 1980s heyday. Rourke delivers a career defining performance.

781. Snow White and the Seven Dwarfs (1937) Dir. David Hand, 83 mins.

One of independent cinema’s great prestige pictures of the 1930s, Walt Disney began work on Snow White and the Seven Dwarfs, the first feature length animation, in 1934 and employed hundreds of background artists and animators. Based on the German fairy tale by the Brothers Grimm, the film tells the story of Snow White, a princess living with her stepmother, a vain and wicked witch known only as the Queen. While in production the Hollywood movie industry referred to the film derisively as “Disney’s Folly”, but the production was a huge critical and commercial success. It was praised by notable filmmakers such as Sergei Eisenstein and Orson Welles and is considered by many as among American cinema’s few genuine artistic achievements.

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The Pendragon Society’s 1000 Greatest Films (2019) 320-301

Introduction

320. Laura (1944) Dir. Otto Preminger, 88 mins.

Laura Hunt (Gene Tierney), has been murdered and tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects. These are waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price) and Carpenter’s wealthy “patroness” Ann Treadwell (Judith Anderson). The deeper McPherson gets into the case, the more fascinated he becomes by the enigmatic Laura, literally falling in love with the girl’s painted portrait.

319. To Have and Have Not (1944) Dir. Howard Hawks, 100 mins.

Humphrey Bogart plays Harry Morgan, owner-operator of charter boat in wartime Martinique. While in port, Harry is approached by Free French activist Gerard (Marcel Dalio), who wants to charter Harry’s boat to smuggle in an important underground leader. Not wanting to stick his neck out, Morgan refuses. Later on, he starts up a dalliance with Marie Browning (screen newcomer Lauren Bacall), an attractive pickpocket. Atmospheric romance-war-adventure film loosely based on Ernest Hemingway’s 1937 novel of the same name.

318. Marketa Lazarova (1967) Dir. Frantisek Vlacil, 162 mins.

Voted the greatest Czech film of all time, Marketa Lazarova takes place in an indeterminate time during the Middle Ages, and tells the story of a daughter of a feudal lord who is kidnapped by neighbouring robber knights and becomes a mistress of one of them.

317. Tale of Tales (1979) Dir. Yuriy Norshteyn, 29 mins.

Named as the greatest animation of all time by a large international jury in 1984, Tale of Tales, like Tarkovsky’s Mirror, attempts to structure itself like a human memory. The film follows a little wolf of Russian folklore who reflects the animator’s burden of keeping the past alive. A masterpiece of cinematic poetry, the graceful and expressive sequences recall Pushkin, the World Wars and childhood loss of innocence.

316. The Marriage of Maria Braun (1979) Dir. Rainer Werner Fassbinder, 120 mins.

The first of Fassbinder’s so-called ‘Federal Republic of Germany trilogy’, provides a despondent picture of West German misery considering the subjugation of emotions to mercenary material greed in the reconstruction years. The film shows the inevitable conflicts that arose from a collective denial of the past and ends with annihilation.

315. Strangers on a Train (1951) Dir. Alfred Hitchcock, 101 mins.

The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. The psychopath suggests that because they each want to “get rid” of someone, they should “exchange” murders, and that way neither will be caught. The psychopath commits the first murder and then tries to force the tennis player to complete the bargain.

314. That Obscure Object of Desire (1977) Dir. Luis Bunuel, 102 mins.

Set in Spain and France against the backdrop of a terrorist insurgency, the film conveys the story told through a series of flashbacks by an ageing Frenchman, Mathieu, played by Fernando Rey, who recounts falling in love with a beautiful young Spanish woman, Conchita, played interchangeably by two actresses, Carole Bouquet and Angela Molina, that repeatedly frustrates his romantic and sexual desires.

313. Leon (1994) Dir. Luc Besson, 110 mins.

Film about a French hitman (Jean Reno) who is befriended by a girl who’s parents were killed by corrupt police officers. An engaging actioner with art house pretensions.

312. Charulata (1964) Dir. Satyajit Ray, 117 mins.

This film by Satyajit Ray, India’s most renowned filmmaker, tells the story of Charu (Madhabi Mukherjee), a woman in late 19th-century Calcutta. She is neglected by her busy husband, Bhupati (Shailen Mukherjee), a politically active newspaper publisher.

311. The Enigma of Kaspar Hauser (1974) Dir. Werner Herzog, 110 mins.

The film closely follows the real story of foundling Kaspar Hauser, using the text of actual letters found with him.



310. Le trou (1960) Dir. Jacques Becker, 132 mins.

The film is based on a true event concerning five prison inmates in La Santé Prison in France in 1947.

309. The Usual Suspects (1995) Dir. Bryan Singer, 106 mins.

The plot follows the interrogation of Roger “Verbal” Kint, a small-time con man who is one of only two survivors of a massacre and fire on a ship docked at the Port of Los Angeles. He tells an interrogator a convoluted story about events that led him and his partners in crime to the boat, and about a mysterious mob boss known as Keyser Söze who commissioned their work.

308. Whiplash (2014) Dir. Damien Chazelle, 106 mins.

It depicts the relationship between an ambitious jazz student (Miles Teller) and an abusive instructor (J. K. Simmons).

307. Das Boot (1981) Dir. Wolfgang Petersen, 149 mins.

An adaptation of Lothar-Günther Buchheim’s 1973 German novel of the same name, the film is set during World War II and tells the fictional story of U-96 and its crew. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country.

306. Amadeus (1984) Dir. Milos Forman, 160 mins.

The film follows Italian composer Antonio Salieri (F. Murray Abraham) at the court of Emperor Joseph II, and his jealous vendetta against his younger rival, Wolfgang Amadeus Mozart.

305. Happy Together (1997) Dir. Wong Kar-Wai, 96 mins.

Yiu-Fai and Po-Wing arrive in Argentina from Hong Kong and take to the road for a holiday. Something is wrong and their relationship goes adrift. A disillusioned Yiu-Fai starts working at a tango bar to save up for his trip home. When a beaten and bruised Po-Wing reappears, Yiu-Fai is empathetic but is unable to enter a more intimate relationship. Sometimes grim but never doll.

304. The Pianist (2002) Dir. Roman Polanski, 150 mins.

Władysław Szpilman, a famous Polish Jewish pianist, sees his whole world collapse with the outbreak of World War II and the invasion of Poland.

303. Se7en (1995) Dir. David Fincher, 127 mins.

It tells the story of David Mills (Pitt), a detective who partners with the retiring William Somerset (Freeman) to track down a serial killer (Spacey) who uses the seven deadly sins as a motif in his murders.

302. The Treasure of the Sierra Madre (1948) Dir. John Huston, 126 mins.

An adaptation of B. Traven’s 1927 novel of the same name, the film follows two financially desperate Americans, Fred C. Dobbs (Humphrey Bogart) and Bob Curtin (Tim Holt), who in the 1920s join old-timer Howard (Walter Huston, the director’s father) in Mexico to prospect for gold.

301. Up (2009) Dir. Pete Docter, Bob Peterson, 96 mins.

An elderly widower named Carl Fredricksen flies to South America in a house suspended by balloons. With its outstanding and moving opening and marvellous animation, Up makes up for it’s more bland and frenetic parts.



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